Simone Kennedy

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  • The Absent Mother 2002

The Absent Mother

The Absent Mother (cover), 2002

75 x 55 cm Sixty four page flip book, permanent black Ink

The Absent Mother

The Absent Mother No. 5, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 7, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 8, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 9, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 10, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 19, 2003

110 x 75 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 26, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 27, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 29, 2003

110 x 75 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 82, 2003

110 x 75 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 85, 2003

110 x 75 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 88, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 91, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 92, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother No. 96, 2003

75 x 55 cm Rouge Contè on Canson paper

The Absent Mother

The Absent Mother,  Front  2003

210 X 180 cm Primary Installation
Quilted brain form composed of human hair, pigmented powders and Japanese glass beads

The Absent Mother
The Absent Mother

Absence, 2002

One size fits palm
Cotton form red acrylic

The Absent Mother

The Absent Mother

Installation - AIT ARTS ADELAIDE 2002

The Absent Mother

The Absent Mother

Installation - AIT ARTS ADELAIDE 2002

The Absent Mother

The Absent Mother

Installation - AIT ARTS ADELAIDE 2002

playground

“A single line positioned across a beautiful space is a landscape,
vast, empty and mine”.

Primary installation 210 x 180 cm, The Absent Mother, (Quilted brain form composed of human hair, pigmented powders and Japanese glass beads) 2002.

My mother has manifestly become the principal element underpinning every artefact that embodies my practice which now belongs to a broader concern, that of ‘Mothering’. The idea of a mother ‘absent’ is and continues to be a challenging statement. What constitutes absence?

The Absent Mother installation attempts to evoke reflections on these concerns.

The quilted form conveys the initial reconstruction of the memory of the ‘absent’ mother as is manifest, whilst the development of the individual is defined through a series of drawings, layered with symbols that bring into play an imagined landscape of uncertainty and isolation.

The Absent Mother (2002) Sixty-four page flip book The Absent Mother; 8 x 5 cm.
Limited edition 500