Simone Kennedy

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  • Naivety and Obsession 1998

Seed, 1998

Oil on linen, 91 x 91 cm

Tomb, 1998

Oil on linen, 91 x 91 cm

Hybrid, 1998

Oil on linen, 91 x 91 cm

Innocence, 1998

Oil on linen, 137 x 61 cm

Little Woman, 1998

Oil on linen, 120 x 115 cm

That which has seemed darkest quivers now like jelly and is plucked from our eyes, 1997

Leather form, Japanese glass seed beads, 59 x 34 cm

That which has seemed darkest quivers now like jelly and is plucked from our eyes, 1997

Leather form, Japanese glass seed beads, 59 x 34 cm

Factories for Perveilabilities, 1997

Cotton form, Japanese glass seed beads, rouge powder, red tulle, 59 x 34 cm

She loves me she loves me not, 1997

Cotton form, Japanese glass seed beads, permanent black marker, Prismacolor pencils, 91 x 91 cm

Naivety and Obsession

Installation Mezzanine Greenway Art Gallery, 1997 - 1998

Naivety and Obsession

Installation Mezzanine Greenway Art Gallery, 1997 - 1998

Naivety and Obsession

Installation Mezzanine Greenway Art Gallery, 1997 - 1998

playground

A mark
is they say
that of a truth
and so the irony of life
strikes the parody
of death
and until then
(and upon us)
we shall all feel
percentages